American, 1851-1914 American artist, was born at Boston, Massachusetts. In 1873 Pearce became a pupil of L??on Bonnat in Paris, and after 1885 he lived in Paris and at Auvers-sur-Oise. He painted Egyptian and Algerian scenes, French peasants, and portraits, and also decorative work, notably for the Thomas Jefferson Building at the Library of Congress at Washington. He received medals at the Paris Salon and elsewhere, and was made Chevalier of the French Legion of Honor, decorated with the Order of Leopold, Belgium, the Order of the Red Eagle, Prussia, and the Order of the Dannebrog, Denmark. Among his best known paintings are The Decapitation of St John the Baptist (1881), in the Art Institute of Chicago; Prayer (1884),   Related Paintings of Pearce, Charles Sprague :. | Manfred on the Jungfrau | Portrait Kaiser Franz Stephan | Private View of the Royal Academy 1881 | THe Gypsies'Wedding Feast (mk05) | Portrait of Claude Monet, |
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Hans Vredeman de Vries
(1527 - c. 1607) was a Dutch Renaissance architect, painter, and engineer. Vredeman de Vries is known for his publication in 1583 on garden design and his books with many examples on ornaments (1565) and perspective (1604). Born in Leeuwarden and raised in Friesland, in 1546 Vredeman de Vries went to Amsterdam and Kampen. In 1549 he moved to Mechelen where the Superior Court was seating. Sebastian, his brother, was the organist in the local church. Vredeman de Vries designed ornaments for merry parades of Charles V and Philip II. Studying Vitruvius and Sebastiano Serlio, (translated by his teacher Pieter Coecke van Aelst), he became an internationally known specialist in perspective. He continued his career in Antwerp, where he was appointed city architect and fortification engineer. After 1585 he fled the city because of the Spanish occupation by Alessandro Farnese. Then the Protestants had to leave the city within two years. Vredeman de Vries moved to Frankfurt and worked in Wolfenbettel, designing a fortification and a new lay-out of the city for Julius, Duke of Brunswick-Leneburg. After his death the project was cancelled and Hans worked in Hamburg, Danzig (1592), Prague (1596) and Amsterdam (1600). On his trips Vredeman was accompanied by his son Paul and Hendrick Aerts. Vredeman de Vries tried to get an appointment at the University of Leiden in 1604. It is not known when and where Hans Vredeman de Vries died, however, it is recorded that his son Paul was living in Hamburg when he inherited.
Philip Wilson Steer
English Painter, 1860-1942 was an English artist. Philip Wilson Steer was born in Birkenhead, the son of the portrait painter Philip Steer (1810-1871). After finding the examinations of the Civil Service too demanding, he became an artist in 1878. He studied at the Gloucester School of Art and then from 1880 to 1881 at the South Kensington Drawing Schools. He was rejected by the Royal Academy of Art and so studied in Paris between 1882 and 1884. He studied at the Acad??mie Julian, and then in the École des Beaux Arts under Cabanel. There he became one of the few English Impressionists. He is known for his landscapes, such as 'The Beach at Walberswick' (1890; Tate Gallery, London). He became a leader (with Walter Sickert) of the English Impressionist movement and was one of the founders of the New English Art Club in 1886. During the First World War, he was recruited by Lord Beaverbrook, the Minister of Information, to paint pictures of the Royal Navy.
Michiel Sweerts
(29 September 1618-1664), also known as Michael Sweerts, was a Flemish painter of the Baroque period, active in Rome (1645-1656) in the style of the Bamboccianti. The Bamboccianti were known for depicting genre scenes of daily life, but Sweerts's contributions to this genre display greater stylistic mastery and social-philosophical sensitivity than many of his colleagues in this "school." Highly successful in Rome during his years there, Sweerts's reputation suffered a severe collapse not long after his death, lasting centuries; but thanks especially to the 2002 international monographic exhibition devoted entirely to him, Michael Sweerts: 1618-1664, he has begun once again to enjoy the esteem his work clearly merits. Born in Brussels, he arrived in Rome in 1646, and rapidly moved into the circle of Flemish painters associated with Pieter van Laer (leader of the so-called Bamboccianti painters) and that resided near Santa Maria del Popolo. In 1647, he attended meetings of the Accademia di San Luca, although not as a member. Despite the fragmentary nature of evidence pertaining to his career in Rome and the post-mortem eclipse of his reputation, we know that Sweerts succeeded in creating for himself a sufficiently exalted reputation in the city so as to enter into the service of the ruling papal family itself, the Pamphilj, more specifically, Camillo Pamphilj, nephew of reigning Pope Innocent X who, at the encouragement of Camillo, bestowed upon Sweerts the papal title of Cavaliere di Cristo, the same honor enjoyed by the likes of Gian Lorenzo Bernini and Francesco Borromini. Despite working in the highest echelons of papal patronage in Rome, sometime between 1652 and 1654, for reasons unknown Sweerts left the Eternal City and returned to the North, and by 1656, he had returned to Brussels, where he joined the painter's guild. He joined the Paris Foreign Missions Society as a lay brother and became a devout Christian. In 1658 he made the guild a self portrait as a farewell gift and moved to Amsterdam, where he would oversee the building of a ship for travel with the aforementioned Missions Étrangeres to Palestine.